By David Ewen
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Extra resources for Dictators of the Baton
Ill For what end does the great conductor ance? strive in his perform what a Obviously, to recreate in a living performance this surface On the down on has may 1 composer put pap^t - the notes are there; all appear a childishly easy assignment: the conductor has to do is to read these notes correctly. But and complexities involved in bringing life to the printed page, and it is in these that the conductor be comes hopelessly enmeshed unless he has science, art, and there are subtleties assist him.
Toscanini greeted performance of Die this praise icily, then added firmly: "I wish I could return I have always thought that a man who your compliment. But nificent to a system that persecutes every independentgives his assent minded man and woman cannot Beethoven's sym Nazis have banned all manifestations phonies truly. For you of spirit, leaving nothing but forced rhythms and an excessive what you did the And that is of interpret precisely strengthdisplay all other day with Beethoven's Ninth Symphony, extinguishing and what that is noble in it and accentuating the loud unduly But, sir, the you would probably call the 'dynamic' passages.
For other important musk he used a special jeweled And he would always direct the musk with such baton. " Jullien died insane, in Paris, March 14, I860. Hans von Bulow, famous contemporary of Wagner and Brahms, often considered the first of the great modern con ductors, also blended histrionics with artistry. temperament, unpredictable in his Volatile by whims and moods, eccentric strongly addicted to selj>dlsplay, and pro a musician, Hans as Bulow was essentially foundly gifted a twentieth century prima donna conductor, born fifty years in mannerisms, wn too soon.
Dictators of the Baton by David Ewen