By Kim B. M.
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26 MYTH AND NON-MYTH tory from the time that Fuzon and the children of Urizen left "Egypt" at the end of The Book of Urizen up to the present brink of worldwide revolution. The final line of "Africa" is the same as the opening line of America: A Prophecy (excluding the "Preludium"), 9 and so we are invited to read on into that prophecy. America: A Prophecy and Europe: A Prophecy are intensely topical poems, crammed with political allusions to an extent that makes it worthwhile to consider Blake's artistic purposes in using such materials.
To embrace Ahanias joy On the bredth of his open bosom: From my soft cloud of dew to fall In showers of life on his harvests. 10-14) Their resulting children are joyously received and extend her love outward (unlike Ore, the fetal "Worm" who "with dolorous hissings & poisons Round Enitharmons loins foldfed]"— BU vi. 26-28): Swell 'd with ripeness & fat with fatness Bursting on winds my odors, My ripe figs and rich pomegranates In infant joy at thy feet O Urizen, sported and sang. 24-28) 22 MYTH AND N O N - M Y T H Urizen himself, now the husbandman that he will be again in the apocalyptic Night Nine of The Four Zoas, has a unified perception of existence at last as he stands .
His fountain of thought" is the result, and Blake's extended description of that body subtly makes Los's creation Blake's own. The effect of chapter four is rather like a hall of mirrors, with the significance of the action extending forward endlessly: Urizen tries to create "a wide world of solid obstruction" and only causes the "Eternals [to] spurn back his religion"; his failure causes Los to "form nets & gins" and "b[i]nd every change" to the limited form of the physical body; and Blake renders this creation of the body in such a decidedly original way (with his characteristic bite of salt) that once read, it changes the reader's perception of his physical self (and his potentialities) inalterably.
2-Universal Positive Definite Integral Quinary Diagonal Quadratic Forms by Kim B. M.